Trilogy of Terror

Monday, September 9 at 8:00pm

General Admission: $3 • Loft Members: $2


Part of the Mondo Mondays series. Get ready for weird, wild and wonderful flicks from the mondo side of the silver screen! Every Monday at 8:00pm!


Get ready to feel the terror at our Mondo Memorial tribute to the late, great B-movie queen Karen Black, featuring the ‘70s TV horror flick that freaked out an entire generation!

Trilogy of Terror hits the camp horror sweet spot … the final segment with Karen Black battling the insane Zuni Fetish Doll lives even today as one of the most potent ‘70s cult horror moments, responsible for God-knows-how-many youthful nightmares.” - Reflections on Film


‘70s Superstar of the Bizarre Karen Black takes the lead in three tales of terror in this legendary made-for-TV horror anthology, playing a psycho spinster, murderous twin sisters and a woman whose doll wants to play with HER! Produced as an NBC TV Movie of the Week in 1975, Trilogy of Terror gave the quirky Oscar-nominated actress the golden opportunity to put the acting pedal to the metal as she played the lead in three macabre tales of murder, madness and maniacal devil dolls. Directed by Dan Curtis (creator of the TV classics Dark Shadows and The Night Stalker) and written by Richard Matheson (The Twilight Zone) and William F. Nolan (Logan’s Run), Trilogy of Terror went on to become a cult classic, thanks in large part to its crazed final segment, but all three tales offer up a bevy of goofy/scary pleasures. In “Julie,” Black plays a seemingly mousy college teacher who is seduced and blackmailed by one of her studly male students, but what the lunkhead doesn’t seem to realize is that the weirdo professor may have a few tricks of her own in store for him. In “Millicent and Therese,” Black portrays a pair of nutty twin sisters (one in a ratty black wig and one in a slutty blonde wig) whose hatred for one another eventually reaches Whatever Happened to Baby Jane? proportions (and gives the actress the chance to go WAY over the top). Finally, in “Amelia,” Black plays a woman trapped in her apartment by a psychotic Zuni Fetish Doll that has mysteriously come to life with the intent of turning her into chopped liver. The increasingly hysterical Black battles the nutty doll (who races around the living room, hiding under the couch, gnashing his oversized chompers and hacking at her legs with a butcher knife), and only one of them is getting out alive, leading to a truly memorable finale. Simultaneously hilarious and terrifying, this wacked-out segment heavily influenced the Chucky franchise and remains pure kitschy horror gold. (Dir. by Dan Curtis, 1975, USA, 72 mins., Not Rated) Digital



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