*Please note: this month's Essential Cinema screening will take place on Wednesday evening, rather than Tuesday.
Part of our Essential Cinema series. See classic art films the way they were meant to be seen - with an audience, on the big screen!
Celebrate the 100th birthday of the late, great Burt Lancaster with one of his greatest roles in one of the greatest Hollywood films of the 1950s!
â€śThe main incentive to see this movie is its witty, pungent and idiomatic dialogue, such as you never hear on the screen anymore in this age of special-effects illiteracy.â€ť â€“ Andrew Sarris, New York Observer
â€śA cookie full of arsenic â€¦ its pleasures are almost obscenely abundant.â€ť â€“ AO Scott, New York Times
â€śWith some of the sharpest dialogue ever cut in Hollywood, only on the most superficial level is this a movie about gossip and publicity. We're talking show business. We're talking America. We're talking cast-iron classic.â€ť â€“ Colin Kennedy, Empire Magazine
In Sweet Smell of Success, one of the nastiest, most delightfully acid-tongued indictments of the press ever burned onto the silver screen, a black-hearted Broadway gossip columnist (Burt Lancaster) schools a desperate young press agent (Tony Curtis) in the fine art of corruption, and the result is a noir-tinged tragedy of Shakespearean proportions. Famed Hollywood screenwriter Ernest Lehman (North by Northwest, West Side Story) drew upon his own experiences as a Broadway press agent to write the infamously lacerating short story â€śTell Me About Tomorrow,â€ť which he then adapted into an equally-vicious screenplay with the help of playwright Clifford Odets. The ironically titled drama Sweet Smell of Success, directed by British filmmaker Alexander MacKendrick (The Ladykillers), is a damning portrait of human nature gone sour, a unique noir/thriller/melodrama hybrid fueled by Lehman and Odetsâ€™ gloriously syncopated dialogue, which is so mercilessly cutting it leaves the impression that every word is etched in sulfuric acid.
Hollywood legend Burt Lancaster, following up his Oscar-nominated role in From Here to Eternity, dominates the film as the ruthless, iron-willed New York gossip columnist JJ Hunsecker (a character modeled after real-life gossip writer Walter Winchell), a man so corrupted by power that he happily destroys both friends and enemies alike from behind his table at Club 21. When fast-talking, opportunistic young press agent Sydney Falco (played by up-and-coming star Tony Curtis) falls under JJâ€™s merciless spell, he becomes an all-too-willing willing pawn who carries out his mentorâ€™s every dirty deed with eager relish, that is until things go just a bit too far. While Success did not initially smell success at the box office, it is now regarded as the very model of street-smart cinematic cynicism. The electric performances of the stars are matched by taut direction, the jazzy score of Elmer Bernstein, and the evocative nocturnal camerawork of James Wong Howe, who beautifully captures all of the seedy and seductive charms of 1950s Manhattan nightlife. Simply put, this is one of the most enjoyably unpleasant films ever made. (Alexander MacKendrick, 1957, USA, 96 mins., Not Rated) Digital