Part of our Essential Series. See classic art films the way they were meant to be seen - with an audience, on the big screen!
Winner of the 1971 Best Foreign Language Film Academy Award!
â€śA provocative political thriller that is as troubling today as when it came out in 1970. Maybe more so.â€ť â€“ Kenneth Turan, Los Angeles Times
â€śA potent study of power as pathology â€¦ A heady mix of Marx, Freud, Wilhelm Reich and Brecht, with a bit of Dashiell Hammett thrown into the blender.â€ť â€“ Elliot Stein, Village Voice
â€śA stunning thriller â€¦ A paranoid police procedural, a perverse parable about the corrupting elements of power, and a candidate for the greatest predated Patriot Act movie ever.â€ť - David Fear, Time Out New York
In a time of internal political disturbance, Roman police inspector Gian Maria VolontĂ¨ (the bad guy in the spaghetti western classics A Fistful of Dollars and For A Few Dollars More) gets a plum assignment to crack down on political dissidents. He then proceeds to slash the throat of married mistress Florinda Bolkan (Candy), a beautiful, kinky masochist. But as homicide cops swarm over the murder scene, guess who gets tapped to head the investigation? And, as every clue unearthed - most of them perversely planted by VolontĂ¨ himself - leads right back to the corrupt inspector, the question becomes: is anyone going to do anything about it? Why has this â€ścitizen above suspicionâ€ť committed a murder and then done everything in his power not to hide the crime, but to make it as obvious as possible? Can it be to prove that he, like all powerful men, is truly above the law? Director Elio Petri (The Tenth Victim) films the proceedings like a politicized Mario Bava, with bizarre camera angles, deep-focus cinematography and rapid editing that rockets back and forth between flashback and detection, all kept abuzz by the modernist twangs of composer Ennio Morricone, who contributes a score as memorable as his work for Sergio Leone. As the plot thickens, the film becomes a biting critique of Italian police methods and authoritarian repression, a psychological study of a budding crypto-fascist (and thanks to VolontĂ¨â€™s mesmerizing performance, this fashionable fascist in white linen suits proves simultaneously disgusting and appealing), a probing â€śwhy-dunnitâ€ť and a buildup to a startling, question-stamped finale. Troubling in its implications and thoroughly entertaining in its execution, the film won the Special Jury Prize and the International Criticsâ€™ Prize at the 1971 Cannes Film Festival, as well as that yearâ€™s Academy Award for Best Foreign Language Film. (Dir. by Elio Petri, 1970, Italy, in Italian with subtitles, 112 mins., Not Rated) Digital